Friday 30 March 2012

On Photography


The Law on Photography


This is a topic we have discussed at University about whether or not you have the right to photograph strangers in the street without permission. Does it matter if you are using the images for your work? Or What's the difference in being on CCTV? Both ways capture your face in public so is this something that should just be forgotten about? I personally avoid street photography for this very controversy. Here I have given some evidence where someone took action on a photographer for publishing his portrait in a gallery:


Between 1999-2001 Philip-Lorca diCorcia photographed pedestrians in Times Square, NYC.

The resulting works were shown at Pace/MacGill Gallery in Chelsea. When Erno Nussenzweig, an Orthodox Jew and retired diamond merchant from Union City, N.J., saw his picture in the exhibition catalogue, he sued diCorcia and Pace for exhibiting and publishing the portrait without permission and profiting from it financially. 



Philip-Lorca diCorcia, "Heads" Series


The suit sought an injunction to halt sales and publication of the photograph, as well as $500,000 in compensatory damages and $1.5 million in punitive damages.The suit was eventually dismissed by a New York State Supreme Court judge who said that the photographer's right to artistic expression trumped the subject's privacy rights. Mr. Nussenzweig's lawyer, Jay Goldberg, told The New York Law Journal that his

client "has lost control over his own image" he went on to say "It's a terrible invasion to me," Mr. Goldberg said. "The last thing a person has is his own dignity."



Philip-Lorca diCorcia, "Heads" Series


When is it right or ethically wrong to make an image? Think of yourself in the

position of the subject and ask yourself, am I happy to be photographed and be

unaware of it?



My Own Work,
 "Captured unaware"


Reading this has made me think about how I would feel being photographed in public and not being aware of it. Would knowing about the photograph make a difference to the right's the photographer has? 

Saying this, if the photographer approached me and asked for my picture and I asked what he was doing with it, it would be a different story and you could agree in person to whether that picture is publicized. People would question; Do you really know who this person is, or what the photograph is going to be used for?



It becomes a different story when you know the people in the image

 It it obvious that there is some controversy around this subject and I understand why. If I had to do a project where I make images of people on the street, I would find it extremely difficult approaching people and would probably photograph from a distance, therefore the subject would be unaware. If you photograph people in the street going to work or going home, how easy is it to then stop them and ask for permission? 

If I'm honest I do avoid this genre of photography because of these issues around the subject as I never know if I'm in the right or not? So I guess I'm neither for or against it for the reason that someone with a camera could be anyone and without approaching your subject you are taking risks with being reported, but on the other hand I can understand how hard it is for the photographer who prefers to capture people unaware, as all photographers know those are the best pictures.




I also agree from the other posts that being in public surely means your face is out there for everyone to see automatically and there's nothing you can do about it. It's a very difficult thing to judge in my opinion, but these days you have to be careful about everything!


Please comment your views.


Monday 26 March 2012

AN ALL TIME GREAT!



Perspectives - David Suchet
People I Have Shot ...




ITV 1 Sunday 25Th March 10:15pm
David Suchet follows in the footsteps of his grandfather, Fleet Street photographer Jimmy Jarche, in a quest to capture on camera how Britain has changed in the past century.

I am so glad I watched this documentary as it was so interesting and inspiring. To see this work of a photographer I haven't been familiar with until now, has also given me an insight to what modern news photographer's were like nearly 100 years ago. David Suchet investigates his Grandfather's portfolio of images and goes on a journey to recreate a few of those photographs, with the same Leica camera.





I am particularly interested in Jarche's portraits of the minors and many famous people, because of the intimacy and comfortable presence they all possess. What is interesting here is the darkness of their faces against the pale innocence of the children represents this hard, long life that most of these people lived through.

 

This is David Suchet getting in close to capture the true essence of the Ballet dancer's, the show really does demonstrate the level of skill and determination news and documentary photographer's have to produce such natural and expressive work.



 Construction workers on the Shell Building, London, 16 June 1932




This image taken by James Jarche, clearly marks a moment in history, showing a working process of the building and the view of the Thames. David Suchet recreates this image, (although no image has been found) and is amazed to be standing in the exact same spot.





At the end of the show an exhibition is held for James Jarche's work and he has now become, for me, one the master's of news and documentary photography of that time. 


"I was just thinking now, if he was there, listening to this, I think Jimmy, would have gone-Wow, thank you very much I really didn't expect that, and if he had met me at the bottom of the stairs he'd probably go- YES!!" (with thumbs up)- David Suchet met with four photography professionals to discuss Jarche's portfolio and they were amazed at the work.

Sunday 25 March 2012

FEATURE!


Eighteen 39

I recently came across an amazing website, Eighteen39 the other day and decided to submit a photograph of mine because you never know what might happen.

Receive an email on the same day saying I will be featured on the 25th March 2012!

So excited, the link above is the page I am featured on!


You've probably seen this image before on my blog, but this is the actual one I submitted.
It has made be more positive about the work I'm doing at the moment, even if my Mum does hate this portrait of her!