Wednesday 14 March 2012

THE HOLBURNE MUSEUM




Art of Arrangement: Photography and the Still Life Tradition
11 February to 7 May 2012 


This exhibition explores the use of objects within a Still Life and how Artists and Photographers have experimented with techniques and ideas over many years. It holds the works of Artists/Photographers, such as Ansel Adams, Edward Western, Dorothea Lange, Paul Strand and many more masters of the Art world.
It was fascinating to see such rare and one-of-a-kind prints in one room and to have this opportunity that might not come again.

I have chosen particular pieces of work from each section of the exhibition which will be underlined and these were the ones that I drew my attention to aesthetically and technically. However the images were not allowed to be photographed close-up and some are not found online either, obviously for issues of preservation etc..


View of the Gallery


On Close Inspection
William Henry James Coombs, Negative radiograph of Tulip
(Gelatin Silver) Unfortunately no image.
A radiograph is an image produced on a radiosensitive surface, such as a photographic film, by radiation other than visible light, especially by x-rays passed through an object or by photographing a fluoroscopic image. Also called shadowgraph, skiagram, skiagraph.


For example: 

Floral Radiograph of a Rose produced by Albert Richards
 Floral radio-graph, produced by Albert Richards


Arrangments in negatives
The grouping and positioning of different parts of a photograph.
The images displayed are very unique in style and demonstrate technical ability and creativity and are very artistic. Now knowing how these images were produced makes you aware of the skill and time put into each one.



 Jerry Ulesmann, Memory and the sun,1966

 
Henry Peach Robinson, Fading Away, 1858
(Used several negatives to produce one photograph)


Still Life in a camera
The passing of time, fleeting nature of life, particular arrangements, carefully positioned equipment, framing and cropping.
The work is quite abstract and relates more to "Art" photography compositionally and aesthetically because of the way it's constructed. You are given the opportunity to explore the image further into detail by cropping from a much varied image.
Edward Western, Detail of Abandoned Car, Mojave Desert, New Mexico, 1937

 

Ansel Adams, Moth and Stump, Interglacial forests, Glacier Bay, National Monument, 1949

Reflection on light and dark
Photography and light
Natural and artificial
This work is quite experimental in terms of lighting and it's interesting to see how one interprets different settings and objects with different ways of light. Light can illuminate, highlight, accentuate or alienate a subject depending on the situation and the artists' intentions.

Paul Strand, Photograph-New York, 1916




Order and Disorder
Objects carefully selected and ordered to create a visually pleasing or meaningful image.
This sort of work makes you wonder whether you could call it "staged" photography or unrealistic, however I feel if you use the objects that belong to that particular space you are not manipulating the scene or reality in any way as there hasn't really been any interference. 
James Jarche, George Bernard Shaw's work table, 1939
Ian Beesley, Pieces, Drummond's Mill, Bradford 1986
Dorothea Lange, Corner of the Dazey Kitchen, 1939




Still life with the figure
Human figure is not the primary focus, important part of wider arrangement
Illustrates personality or artistic practise, or symbolic, meaningful things.
These images are very beautiful and the artist's have been very subtle in their approach to using the figure within their work. In some of the photographs there are only hints of a person whereas others have a face of the body, representing or meaning something as part of the image.
Chris Killip, Royal Wedding table, 1981
 

Horst P Horst, Gloves, New York, 1947

 
Julia Margaret Cameron, The Return After 3 Days


The Subversive
Records events, mortality, passing of time, political or personal messages.
Jo Spence, Still Life, 1985
Spence documented her body ans surroundings during her treatment of cancer, it was a sense of self which she then coined the term, "photo-therapy". Her work is very inspirational and political and sends messages to everyone who may have gone through similar experiences as herself.
Karen Knorr, A young nobleman's introduction to knowledge, 1984
This work was specifically about country life and the British class system.




A Dialogue with painting
"Vanitas" 
These paintings contain a moral or religious message, a shortness of life and inevitability of decline and death. They also contain long exposures of time with the still life being ideal to represent this.


 

Roger Fenton, Still Life with parian vase, Grapes and silver cup, 1860
The painter is mirrored in the goblet, were these his intentions, or just a happy accident? 

Movement and Stillness
They freeze a moment in time, stop and reflect and show action.
Cutting the Card Quickly .30-Caliber Bullet through the Jack of Diamonds

Harold Edgerton, Bullet through a jack of diamond, 1955

 

Philippe Halsman, Dali Atomicus, 1948

The iconic image of Salvador Dali is questioned by many at how this piece was constructed and seeing it for the first time allowed us the answer to just this.
The objects were suspended by thread, with the help from an assistant that held the chair and everything else thrown into the air, all very spontaneous. The whole production took 6 hours with 28 throws. The final image was the only successful one out them all.

The Holburne Museum in the City of Bath and the exhibition, "Art of arrangement", is definitely worth going for.


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